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The Obedience to Authority

by AUTOKRATOR

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1.
Chapter I 03:49
2.
Chapter II 04:41
3.
Chapter III 02:25
4.
Chapter IV 04:18
5.
Chapter V 05:19
6.
Chapter VI 03:25
7.
Chapter VII 06:14
8.
Chapter VIII 06:00

about

Released back in April on CD and recently on Vinyl, Autokrator's "The Obedience to Authority", sees the ultimate release on limited deluxe cassette, 50 black cassettes with slipcase hard cardboard and white ink on tape pad!

[ Like carpet bombing a swath of civilization with no warning, so too has the two piece totalitarian outfit Autokrator swiftly and abruptly erupted upon the underground, sending an undulating shock wave of fear and terror throughout its nethermost regions. Without a known demo or rehearsal to their name, Autokrator suddenly dropped a self-titled full length in 2015 that has seen this duo steadfastly conquering and enslaving its opponents ever since.

And like most historically infamous despots, Autokrator seem to have no plans on stopping or even slowing their domination agenda, for 2016 has already birthed another towering slab of weaponized industrial Death Metal terror entitled The Obedience To Authority. Released earlier this year digitally and on CD, this voracious beast of an album is receiving the vinyl treatment it so rightly deserves from the esteemable Larval Productions and thus we have another reason to examine this compelling act. Here, we again find Autokrator doing what they do best: crushing the masses with an overwhelming show of force that comes in the form of extremely down tuned, churning compositions that are as bluntly heavy as they are atmospheric in nature. However, the attack has been honed this time around in such a way that the eight chapters that make up The Obedience To Authority are arguably even more subjugating and deadly.

Upon pushing play, you’re greeted to the sounds of what seems to be a man being drowned or water boarded, and it’s this kind of cold behavior completely lacking in empathy that is a perfect prelude to the inhuman, domineering show of strength that is to follow. Within seconds your delusional, democratic views are shattered by an eruption of cacophonous sounds that include some of the deepest gutturals you’ll come across – a relentless, mechanized battery assault, and a wall of bass and razor sharp riffs that clash and conjoin in the most sinister of ways.

What hammers its way through your speakers for the following 36+ minutes is nothing short of a revamped, perfected version of the vision laid out on the debut album. The second chapter begins ominously with sounds reminiscent of hundreds of boots hitting the ground at once after a harrowing entry track throws you head first into the grasps of this militant killing machine. And this kind of psychological warfare doesn’t stop there, for the next chapter is dedicated to the sounds of militarism and torture as boots march amid spinning saw blades carving out the last vestiges of human freedom – one of the best anthems on the album begins with “Chapter IV.”

This song begins with blast beats galore and a striking vocalization, before screaming guitars send this massive tank of a track into overdrive with a crushing chorus of sorts, as a line is bellowed forth and repeated in such an overarching, reverberating manner that it would come from the lone Tyrant himself, to be shouted back by legions of unquestioning disciples ready to march and overthrow empires at the wave of a finger. And with another such wave of the finger, silence. 10 seconds of darkness before an explosion of fury and dominance at the 1:30 mark reignites the mantra once again, repeating itself until, little by little, things fade to black, and the eerie echos of boots on the ground resumes…

But of course, the mind control agenda has just begun, and the following chapter hits you with sinister vibes all around before opening up into its grand declaration, as the word “INDOCTRINATION” is chanted over and over again atop striking open chords that resound to the track’s completion, fulfilling a mantra that is at once repetitively brutal in its command, obviously coming from a force that cannot be reasoned with; one that simply can and will impose itself upon the masses.

An eerie spoken word piece follows on “Chapter VI” that I wish I could understand, for it sounds cold and desolate, completely without infliction or personality, as if the orator had no emotion whatsoever. I can only imagine his words were not a sort of Utopian dream…

This, I think, is the voice speaking to the man or civilization who has already been broken. And what follows is the final solution. “Chapter VII” is probably my favorite track from the album – for the first few minutes it builds pressure with crunching riffs, sinister atmospherics, vocals that seem to surround you and tempered drumming heavy in cymbal use…all forming a base that gives the ultimate credence to the band’s description on their bandcamp page of “Suffocating Death Metal.” But as I said, this is merely the building of pressure…for at the 4:32 mark, the band embarks upon the most straightforward, pummeling section of the entire album as lightning fast blast beats endlessly hammer forth without respite for the next minute that immediately evoke images of hundreds upon thousands of men being effortlessly mowed down by machine gun fire in the field with no remorse whatsoever.

After this ultimate pulverizing chapter, there is nothing more to say. With all detractors and opposition silenced, castrated, and beaten into utter submission, The Obedience To Authority ends in darkness and a forlorn stillness beneath the unconquerable foe that is Autokrator. Uncompromisingly calculating, brutal in ideology and twice as cold and murderous in practice, Autokrator have again cracked the whip of supremacy upon the backs of the slave majority in such a way that none will ever question their methods again. Might is right and Autokrator aren’t taking no for an answer; not now, not ever. ]

@ CVLT NATION www.cvltnation.com/autokrator-obedience-authority-stream-review/

[ In the face of the extreme totalitarianism of his novel 1984, author George Orwell offered a grim outlook: “If you want a vision of the future, imagine a boot stamping on a human face forever.” All opposition to authority will be systematically quashed, all free thought extinguished, all will submit to hierarchy. Though we certainly haven’t reached a situation to that extreme—and I’m sure a few foil-hats will argue that world totalitarianism is much more severe than what is known to the public—the tell-tale signs are there. Having previously explored the mind and doings of historic madman Nero, French “industrial death drone” duo Autokrator explore the fascist tendencies of the human condition with their sophomore effort, the crushing The Obedience to Authority.

Following Stanley Milgram’s assertion that, when exposed to a hierarchical system, humans “play their part,” authority delegates and acts without mercy and those subjected submit. They are hammered with hate and precision, which is elocuted with Autokrator mastermind L.F.s marriage of minimalist death/doom metal and traditional industrial music’s pummeling, thick rhythmic ostinati, small cogs in a greater, efficient machine. The mechanical sound of The Obedience to Authority speaks of a greater dehumanization, the densely distorted machine’s smaller parts losing their individual identities to become part of a faceless collective with vocalist David Bailey acting as the idealized authority figure and torturer.

As evidenced by their first, self-titled album, Autokrator’s music is a relentless exercise in endurance: L.F.’s instrumental tracks, a dense wall of inhuman death metal noise, overwhelm and crumble hindrances to dust. The Obedience To Authority is a continuation on this tradition, though with a larger sense of restraint. This album won’t blow out your subwoofers, but Autokrator will still shake you to your core. The sounds of authority, the regimented torture of totalitarianism. Autokrator is Orwell’s dreaded eternal stamping boot, and it will forevermore. ]

@ INVISIBLE ORANGES
www.invisibleoranges.com/autokrator-the-obedience-to-authority-album-premiere/

credits

released March 17, 2017

The Obedience to Authority, aside from being the name of our new album, is the name of an experiment led by American psychologist and professor Stanley Milgram.

In this experiment, Milgram’s goal was to “measure the willingness to obey an authority figure who instructs to perform acts conflicting with personal conscience” meaning “causing serious injury and distress to innocent people.”

Through this experiment, Milgram tried to explain some human behaviors, more precisely during wars or in dictatorships.
This Autokrator album is based on this experiment of the “Brainwashing Manual”, written out by L. Ron Hubbard, founder of the Church of Scientology from Soviet Leader Lavrenti Beria’s perspective
To clarify, both Hubbard and Beria ideologies are are not the subject, only the contents of the “Brainwashing Manual” is.

The “Brainwashing Manual” concerns the use of violence to achieve obedience, and how to use it on a national scale.

On our first album (Autokrator), we were a five-piece band, and we’re now only David (vocals), myself (L.F) (guitars-bass-sampling-mixing-mastering), and a session drummer who chose to stay anonymous.
Concerning the musical aspect, our goal for this album was to have: a more dynamic sound, a more brutal approach, a more balanced mixing, and more varied songs.

The album is divided in 8 chapters, following this pattern: a brutal song – a heavy song – an instrumental interlude – a brutal song – a heavy song – an instrumental interlude – a heavy final song – a drone industrial influenced outro song.

CHAPTER I (A brutal song)
The song begins with a sample from a french film directed by Yann Gozlan called “Captifs”.
A short martial beat leaves room to blasting riffs. The song has a classical intro / verse / chorus / verse / chorus / outro structure.
The song is about, why to use violence to achieve obedience, to achieve ruler’s goal.
“The only goal of authority is to obtain… Obedience”

CHAPTER II (a heavy song)
Introduction of the second song, is a fading in instrumental martial combination of guitar bass and percussions.
This song has a more awkward structure, the introduction is succeeded by the only verse of the song, and the song finished with a dissonant orchestration.
David, our singer, assumes here the role of the torturer.
“Bring me the man,Ii’ll bring you the crime
A body immersed in fluid, eventually confesses”

CHAPTER III (an instrumental prelude)
Chapter III is a combination of martial beats, torture sample, and dark industrial soundscapes.

CHAPTER IV (the most brutal song on the album)
This song is my favourite one, a 300 bpm blast and double bass song.
The pattern is the same pattern as the first song, and theme is close.
The brutality and fear bring blind obedience,
“Organization that displays inhumanity, will be blindly obeyed.”

CHAPTER V (a mixture of heaviness, brutality, and repetition)
The song is about the use of psychiatry to obtain obedience in a state, meaning that the obeying is the result of being sane, and suffering is the result of being insane.
The song has a lot of repetitions, to enforce the psychological aspect of it.
“The more violent is the treatment, the more hopeless insanity, will seem to be”

CHAPTER VI (the second instrumental interlude)
Chapter VI contains a sample from french Henri Verneuil’s film “I, comme Icare”. The sample is a speech from a scene reproducing Milgram’s experiment. The speaker explains the goal of the experiment.
We added orchestration, effects and dark beats to the sample.

CHAPTER VII (the heaviest song on the album)
We tried, with this song, to record the heaviest song ever made. At least, we tried.
Song starts with a bass intro, followed by heavy palm muted riffs. The song ends with 300 bpm blast beats parts, to counterbalance the slowness and heaviness of the first part.
The song has very few lyrics, and they’re based on loyalty toward authority
“Cruelty commands respect”

CHAPTER VIII (a drone/instrumental outro)
This song closes the album.
We collaborated with industrial and ambient artist Auditor, a talented guy, who handled the outro of the song ,with an apocalyptic and claustrophobic orchestration.
The song is a torture interrogatory.
The torturer asks, the victim answers.

“You will talk!
“No!”

—LF, Autokrator to INVISIBLE ORANGES

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